Check out how one blogger described their experience of joining with Bifrost Arts in worship at the David Crowder Fantastical Church Music Conference. It’s reveals how far people like us have to go in the quest to bridge the worlds of historicity and liturgy with mainstream evangelical worship:
Bitfrost Arts, a hymn-sing group from…well, I can’t remember if it was from Virginia or Missouri, but regardless, their sound was at the same time familiar and mysterious. Instead of relying on the large square projection screens to prompt singing, Bitfrost Arts had printed out hymn-sing sheets, which really served more as an order of worship, complete with responsive readings and liturgical leadings.
I say that the sound was familiar in that most of what we sang were (somewhat) familiar hymns of the historical church. The 2500 attendees were accompanied by a 15-person choir (comprised of randomly selected Baylor students on the quad), a drummer, guitar and bassist, as well as a full-sized harp.
I say the sound was mysterious in that the act of singing the old hymns with 2500 voices created a passionate sound which echoed off the walls with the same effect as if we had been standing in St. Paul’s Cathedral. Archaic yet relevant, to sing these songs was to take a fully engaged step back into the historical church. And the harp just added the appropriate eerie/surreal layer to blanket it all.
Words or phrases that intrigue me are:
- how they spell “Bifrost” 🙂
- “a hymn-sing group” (?)
- “archaic yet relevant” (I know what they mean…not sure “archaic” is the right word, though)
- “a fully engaged step back into the historical church” (true…there are many instances of disengaged steps back into the historical church)